COFFIN TORTURE - BLENNOID

 

Second album here from South Carolina freakies Coffin Torture, a sludgey death metal duo who lay down tons of awkward, sideways vibes on Blennoid. Autopsy immediately come to mind, but there's a more hardcore feel here as well, a smart Relapse atmosphere, the recording, handled by Kylesa's Phillip Cope, probably helping with that.

I really like the occasional clanking and clashing of extra percussion and other sounds, while songs like “Budo” lay down more head-bopping stoner riffs, although filtered through a heavy Electric Wizard haze, thankfully. The band just stomps and sludges through the grime on the mighty and massive “Confessor” and album highlight “Crawling Spleen”, pure death/doom goriness, this band really tapping into Autopsy's spirit in a way that very few pull off. The riffs on this song just pull and tear apart, as do the ones found on the massive, pummelling title track. “Yateveo” ends things off with a brisk gurgling punk gallop and a bit of dynamics and a lighter touch before the repetitive hypnosis of the closing.

IRON MAIDEN – THE NUMBER OF THE BEAST / BEAST OVER HAMMERSMITH (40TH ANNIVERSARY LIMITED DELUXE EDITION)

 

By and large, when an established rock or metal band changes their lead singer, bad things happen – either artistically (1998’s Van Halen III) and/or commercially (1994’s Mötley Crüe). Iron Maiden is one of the rare instances where a vocalist switcheroo helped elevate them in both areas – when Bruce Dickinson inherited the lead singer spot from Paul Di’Anno, in time for 1982’s The Number Of The Beast.


Featuring some of Maiden’s best-known tunes (the title track, “Run To The Hills,” “Hallowed Be Thy Name”) and fan favorites (“Children Of The Damned,” “The Prisoner,” “22 Acacia Avenue”), TNOTB served as Maiden’s global breakthrough. And right around the time of the album’s release, a performance by the group at the Hammersmith Odeon in London was recorded…and sat on a shelf for many years (before eventually being issued in 2002 as Beast Over Hammersmith, as part of the Eddie’s Archive CD box).

 

PANTERA LIVE

 

On December 9th, Pantera - featuring Phil Anselmo (vocals) and Rex Brown (bass) backed by Zakk Wylde (guitar) and Charlie Benante (drumns) - brought their tribute tour to Knotfest Colombia in Bogota, Colombia. Fan-filmed video is available below.

The setlist was as follows:



"A New Level"
"Mouth For War"
"Strength Beyond Strength"
"I'm Broken"
"5 Minutes Alone"
"This Love"
"Yesterday Don't Mean Shit"
"Fuckin' Hostile"
"Planet Caravan"
"Walk"
"Cowboys From Hell"
"Domination / Hollow"

QUIET RIOT: NOVA MÚSICA COM DUBROW, BANALI E SARZO SERÁ LANÇADA NESTA SEGUNDA

 

O videoclipe oficial de uma nova música da lendária banda Quiet Riot, intitulada “I Can’t Hold On”, fará sua estreia online nesta segunda-feira, 12 de dezembro. A faixa, que apresenta o falecido vocalista do Quiet Riot, Kevin DuBrow, e o falecido baterista, Frankie Banali, ao lado dos atuais membros Rudy Sarzo, no baixo e Alex Grossi, nas guitarras, foi composta por DuBrow e Grossi. A música foi produzida, projetada e mixada por Alistair James, enquanto o vídeo foi dirigido pela viúva de Frankie, Regina Banali.




Em março passado, Rudy disse que o próximo álbum de estúdio do Quiet Riot incluiria uma música que foi originalmente gravada com DuBrow, o que poderia indicar ser “I Can’t Hold On”. O músico de 72 anos, que recentemente voltou ao Quiet Riot após uma ausência de 18 anos, falou sobre a possibilidade de material novo do grupo durante uma entrevista ao The Rock N’ Roll & Coffee Show. Ele disse:

THE COMMONERS - FIND A BETTER WAY

Citing The Black Crowes as “a considerable influence,” The Commoners from Toronto, Ontario beautifully meld blues, soul, and good old-fashioned rock ‘n roll into a warm and soothing musical experience. Although the roots-based band is pictured as a four-piece on the album cover – vocalist / rhythm guitarist Chris Medhurst, bassist Ben Spiller, lead guitarist Ross Hayes Citrullo, and drummer Adam Cannon – are joined by their friend, organist / piano player Miles Evans-Branagh on eight of the nine songs on this stunning, Southern rock inspired album.

Opening song and title track “Find A Better Way” features a special guest appearance from The Trews keyboardist Jeff Heisholt, and was mixed by Kevin “Caveman” Shirley (Aerosmith, Iron Maiden, Journey). What an inviting way to start an album! Put simply, “Fill My Cup” is irresistible. “More Than Mistakes” is reminiscent of under-rated mid-‘90s Canadian rockers, Buffalo Brothers. “Too Much” hits that sweet spot just right. “Naturally” marks the mid-point, thereby providing a mellow yet impactful interlude.

“I Won’t” is highlighted by pedal steel courtesy of Michael Ekhart, and sees The Commoners veering towards country music. “Deadlines” brings back the euphoric element found at the beginning of this record. Passing the seven-minute mark, “Hangin’ On Again” is by far the longest of the bunch, resonating as it builds. Rather than going out with a bang, The Commoners opt for a tender closer in the form of “Alive”. Whether full-on ripping or acoustic picking, authenticity and sincerity are undoubtedly the name of this alluring game.

AUTOPSY - MORBIDITY TRIUMPHANT Rating: 8.0

 

t's been seven years since gory, grindy DM legends Autopsy dropped the excellent Skull Grinder record (at 28 minutes, I call it a full-length, although “mini-album” works and was always kind of a cool designation in my mind), and, really, I've got to say this: Autopsy's 2011-2015 run of four records totally rules, the band on a near-Napalm Death/Kreator mid-career resurgence.

The momentum was lost but Morbidity Triumphant is here to destroy, and destroy it does through all manner fast (“Stab The Brain”) and sludgey (“Final Frost”), the two speeds we want out of this DM institution. New bassist Greg Wilkinson (of the underrated Brainoil) holds his own alongside terrible twosome Danny Coralles and Eric Cutler and, of course, drum/vocal hero Chris Reifert (who plays in Static Abyss with Wilkinson). Autopsy's strength has always been their incredible grasp of eerie atmosphere, of weird riffs, of horribly ugly punked-out death/doom/sludge and look at this, the opening riffs of “The Voracious One” bring the swamps home, doing all that stuff in one atrocious swoop.

Love how things then get lower and slower for “Born In Blood” before the band picks up to an extremely punk place, Autopsy just sticking to their guns—always—and doing what is right, which is sewage-grade death/doom, punked out with just enough gore-grind in there for good measure. “Tapestry Of Scars”, again with those icy, sideways, horror-movie riffs that quite literally only Autopsy ever manage to pull off so well; “Your Eyes Will Turn To Dust” is a killer atmospheric sludge/death party to close things off, somehow all at once being scary and a party, with a great song title to boot

NAZGHOR: SUECOS LANÇAM SEU NOVO ÁLBUM “SEVENTH SECULAR CRUSADE”

 

A banda sueca Nazghor, lançou nesse último dia 25 de novembro, através do selo The Wild Hunt, o seu 7º álbum de estúdio, intitulado “Seventh Secular Crusade”. Contando com 7 músicas, o trabalho entrega um Black Metal forte, pesado, agressivo, mas que também não abre mão as boas melodias. Uma ótima pedida para fãs de bandas como Watain, Dissection ou Naglfar, mas com uma identidade própria muito forte.


Destacando músicas como a épica “Seventh Secular Crusade”, a intensa e agressiva “Fulminating Fire” e a mais melódica “Beyond the Grave”, o álbum já se encontra disponível para audição nas principais plataformas de streaming