domingo, 22 de maio de 2022

REACH: SUECOS APRESENTAM O NOVO SINGLE “TIME (SHUT UP)”

 



Embarcando em uma extensa turnê pela Europa apoiando o H.E.A.T e se preparando para o lançamento da versão estendida de seu último álbum de estúdio, “The Promise of a Life”, programado para 2 de junho e que contará com faixas inéditas, a banda sueca de Rock Alternativo, Reach, acaba de lançar seu mais novo single. Se trata de “Time (Shut Up)”, uma das novidades do trabalho e sobre a qual o vocalista Ludvig Turner fez alguns comentários:





“Se você cuidar do seu tempo ou se você deixar, não importa. Ele cuidará de si mesmo e seguirá em frente de qualquer maneira. É disso que trata essa música. Em algumas das músicas de The Promise of a Life, as letras compensam muito o que a música é. O tempo é o outro lado dessa moeda. Nós nunca colocamos essa música no lançamento original de The Promise of a Life porque estava um pouco “lá fora”. Mas todos nós amamos essa música pela ação disco enérgica que ela traz e estamos felizes em vê-la na versão estendida do álbum.”

sábado, 21 de maio de 2022

ANVIL - IMPACT IS IMMINENT

 



Nineteenth studio album by the Canadian metal force who have been consistently releasing albums since 1981. The core of the three piece still the same, Steve Kudlow on vocals/guitar, Robb Reiner on drums, with Chris "Christ" Robertson on bass since 2014. Like Saxon, Raven, Anvil are also all about being trite and true to their roots, as evident on opening mid pace banger "Take A Lesson" and first single video track "Ghost Shadow" which burst from the speakers with urgency, tight riff and rhythm and tasty melodic solo. "Another Gun Fight" riff, bass, drum beat takes its time and crawls about during the verses. Great fun loose catchy guitars and rhythm for "Fire Rain".

Riff and bass trades off during two and a half minute instrumental jam "Teabag" in the spirit of early ‘80s Anvil. "Don't Look Back" talks about just that, not looking back and moving ahead. Half way through, bass comes through on the up tempo "Someone To Hate", and at three minutes and thirty seconds "Bad Side of Town" like the rest of the songs up to this point gets in and out only two barely over four minutes. On the production side this album has a great balance between the guitar crunch, the clanky at times bass ("Wizard's Wand"), and punchy drums. Lead guitar melody follows a slower doomy riff on "Lockdown" about the Covid 19 pandemic.



At fourteen songs it's a bit lengthy, some sameness by this point, could shave off three or four, but even by song eleven, "Explosive Energy" still maintains the interest in getting to the chorus. Anvil is Anvil, and after all these years and albums there is still enough metal in its form to (as per the artwork) circle the planet once again.



CRISIX - HEALING THE WORLD WITH MOSH

 



Crisix just may be the unsung heroes at the head of the new wave of thrash metal, and the uncrowned flag bearers of Spain’s bubbling heavy metal scene.

The Barcelona based demolition artists have put their collective foot on the proverbial gas during the pandemic, for a ridiculous output of music, branding like no one’s business (Crisix pizza and beer anyone?!) and level-up status as the heir-apparent to the global thrash crown.

Bassist Pla Vinseiro caught up with BraveWords for a deep dive into their new album Full HD (out April 15th through Listenable Records), collaboration with the best of the new wave of thrash metal movement (“W.N.M United”), growing in Spain and beyond, and healing the world with mosh!

BraveWords: You guys have been so active throughout the pandemic. Just nonstop. A lot of bands have taken time to recharge from the road or get back in the studio. But you've managed to cram so much into this span of time. It's absolutely crazy.

Pla: “I mean, that was the idea, you know? Because the pandemic thing got us in the midst of kind of the greatest year for the band. And it was like, ‘No, fuck it. We will just find a way to reach people with whatever we can do’. And I think it turned out great. Yeah, we could have stopped, but it wasn't in us. We just needed to keep going.”

BraveWords: I really dig what you guys are doing here, some of the ways you guys have been branching out in recent years with the cookbook, the pizza, the beer. You guys are branding like crazy. And I think that's awesome because there are so many bands, particularly in heavy metal, that just want to play shows. They could put out the best album possible, but if you're not out there, if you're not in people's faces, it's a crowded marketplace. You have to compete and you guys are definitely pushing your brand.



Pla: “Yeah, thank you. I mean, we just love to do things a bit different sometimes. And now it's more than music. If you want to get to people and you can't even play live shows, what are you going to do?”








BraveWords: Your output for actual music has been crazy these past four years. Three albums and an EP. Has it kind of been a conscious decision that when you guys have material ready to go, you're going for it? You're not staggering things out. You're going to keep the momentum going.

Pla: “Yeah, that's what you got to do when you come to this mindset of this band is the center of my life, this is where I will develop all these crazy ideas with my friends and everything. What else do you want to do, man? Just get your ass to fucking rehearsal and write some songs, just fucking play. And it's this mood. You know how many ideas we got there just hanging in waiting for the moment. But yeah, it's always in our minds that we gotta keep going, keep offering everything because we've got a lot to offer I think and the ideas never end.

“We didn't plan the EP, the EP just came to us. And then from the EP, the cookbook, the pizza, the sauces, the game, everything just came naturally during this horrible moment where we couldn't play and we just had to put our psycho minds into something. So it was just too much riffs. This was the original problem. Too many riffs, too many songs. So what do we do? Okay, let's do an EP. OK Let's do a crazy culinary EP. OK, let's do a cookbook and you connect the points and this is how it ends.”

BraveWords: There's so much to be said about this kind of new wave of thrash that you guys are part of. I think about the single “W.N.M United” and it really kind of hammered that home to me. There's so many fucking awesome thrash bands worldwide right now.

Pla: “Yeah! I mean, in the end that was the main goal. We were talking about this for some time now. We wanted to do something like this because Crisix came by during this original new wave of thrash era, but we were not the first. When the band was writing the songs, they were already hearing the first record from Violator, the first record from Evile. All these bands, we felt them as part of our generation. But you know, this music was around when the Crisix sound began to take form. So this made a lot of sense to us now that OK, now after pandemic thrash is the answer to all this evil that is inside of us because it's contact. Moshing is contact, you know?

“We were in rehearsal. We were like, ‘Yeah, mosh is fucking love. Mosh is the answer’. And then it gave me the idea. Just call some friends. Everybody was super into it. It was kind of easy. Then we even got Chuck Billy, who was super nice and was also part of the video. So everything came out great. And we just want this to be this reminder to everyone that the new wave of thrash is here, it's alive and it's kicking and it's time to take the venues back. That's the idea.”

BraveWords: I loved in the beginning of the video when you guys had Chuck and it was almost like this deity or this overlord of thrash sending you down to find these other thrashers.

Pla: “In the end, it's like fan fiction done by these thrashers. It's like ‘Yeah, that Chuck BIlly is the galactic chief!’ We don't care, man. We just do this stuff and we're laughing and having the greatest time.”






BraveWords: That's one thing I like about this record in particular. It's not just straight up thrash. You guys have a ton of different stuff going on here. There's heavier, almost death metal influences. You got some Municipal Waste almost comedy elements in different spots. It's really all over the map and you're getting a ton of your different influences in this record, and it's not copy and paste.

Pla: “I think it’s part of the DNA in Crisix to be a colorful thrash band. It’s a thrash band before everything else, but it's a colorful one. We all love punk so much. We listen to a lot of different punk styles and bands, new and old. We love heavy metal. We have this funky part in a song. We just put these little pieces over the thrash thing and we really have a great time with that.

“And with this album I think we really went into all the things that worked out on previous albums and built over it. But absolutely, death metal is a part of the band and the lighter elements like more comedy kind of register. It's a fundamental part of this band. We may sometimes go more serious. We may get a bit more of a modern thrash kind of feeling. But the old school and the funny side of Crisix, I think it's just one of the most important parts of it.”

BraveWords: It feels like it's taken a while, and I could be totally off on this being in North America, for a band to really rise up to be the flag bearer for metal in Spain. It feels like you guys are really on the cusp of doing that. For you personally, does it feel like there is almost this void for a band to come up and be the big international metal band representing Spain?

Pla: “Yes. You know, for Crisix it was always like we are not aiming for Spain ... Crisix was always the band that we just wanted to go. We just want to tour outside. In a way, even if the band got big in Spain, the band was always striving for this outer part of the scene out of Spain. And I think it's not really what you usually see in the Spanish scene. We've been a bit out of the global scene. Maybe if you go into more underground stuff, there's always people that are coming and going, but there was never this band yet, an English speaking Spanish band that would go to all the main festivals that would represent the Spanish scene. And of course we would love to reach this. I mean, we're breaking a lot of barriers here. But Crisix always wanted to take the world by storm.”

BraveWords: Do you ever feel resentment in the local music community for branching out? Or is it the type of thing where because you guys are being so industrious and you're branching out and doing these big tours now that there's a lot of pride amongst the local music community for what you're doing.

Pla: “I feel a lot of pride and a lot of support everywhere I go here in Spain. You know, you will always have people that don't like you and it's part of it. It's part of life. But I think people really understand in Spain what we are trying to do, and they understand how hard it is, how we are crossing to these unexplored parts for the older Spanish fans. And I don't see a problem, really.

“Sometimes it would be so much easier for this band to just stay in Spain for a while. This is like the easy route, really, I can tell you. But we always take the decision to go farther and reach new places, and I think a lot of people really understand this about Crisix. I don't see a problem.”




BraveWords: Obviously there's a ton of influences we can feel on this record. But for you coming up as a young man, was there a particular band or album that really drew you into heavy metal?

Pla: “My father is a prog guy. ‘70s prog. So when I was a kid, and I always still talk about it because I play bass here and I play bass with the pick. And then a guy will come up, 'Huh! You play bass with a pick! Do you know who Chris fucking Squire from Yes is?!' Because Yes was kind of my father's favorite, but I always see Chris Squire with the pick! ‘Of course you play bass with the pick! Here's the fucking master!’

“But after that and coming into metal, I think for me Rust in Peace by Megadeth was the album, because it had all these little jazzy passing notes and a bit of progressive structures that really let me into the more aggressive sound because I think the prog part of it was kind of a bridge for me to go into the aggressive. I would say Rust in Peace is maybe the album that I listened to the most, maybe that and also Kreator. I got into Kreator, when I went into the more and more aggressive thrash. And it was all Pleasure to Kill, Extreme Aggression. I love that stuff too.”

BraveWords: It really feels like momentum is on your side now. You rode this wave of the pandemic. You're playing some of the biggest shows of your career. Are you guys feeling that momentum now? Is it like, ‘OK, we're getting ready to level up here’?

Pla: “Yeah. It's been like this, and we really were one of the first metal bands touring Europe back in September ... We were kind of the first show for so many people for two years. This happened in September, happened in November, it happened now in March. We were going to the Netherlands and people would come and be ‘like this is my first show in two years’.

“I remember the other day in Eindhoven in Dynamo, which was one of the first places where Exodus played when they came to Europe. So there's a lot of old school guys there when thrash came to Europe and some of these guys were like ‘man, this is my first show in two years. But the best part is I've never been to this kind of energy thrash show since I was here in 87 seeing Exodus!’ And this kind of stuff, how you come back home feeling. It's not about ego, but just about man. If this guy that was there felt that again, we are onto something right now.

“People just have a lot of fun at our shows. They go out and they are smiling. I'm 100 percent sure that we have something going on, but not because I think high of myself or anything. It's just what I see in people after the show, how they feel. They just feel great. And yeah, I think we've got some momentum going.”

sexta-feira, 20 de maio de 2022

Rush’s iconic album Moving Pictures!




The Super Deluxe Edition includes three CDs, one Blu-ray Audio disc, and five high-quality 180-gram black vinyl LPs. The set encompasses the Abbey Road Mastering Studios 2015 remastered edition of the album for the first time on CD, along with two discs of previously unreleased and newly restored bonus live content newly mixed from the original analog live multi-tracks by Rush’s original producer, Terry Brown, featuring the band’s complete, unreleased Toronto concert from Maple Leaf Gardens in Toronto, Ontario, on March 25, 1981 (designated here as “Live In YYZ 1981”). The fourth bonus disc is a Blu-ray Audio disc with the core album newly mixed from the original multi-tracks in Dolby Atmos (a Rush catalog first!), Dolby TrueHD 5.1, and DTS-HD Master Audio 5.1 surround sound as done by noted producer/engineer Richard Chycki, alongside the previously available PCM Stereo mix. Also included on the Blu-ray are four bonus videos: a brand-new video for “YYZ” plus three remastered vintage promo videos for “Tom Sawyer,” “Limelight,” and “Vital Signs.” Additionally, all of the vinyl in the Super Deluxe Edition has been cut via half-speed Direct to Metal Mastering (DMM) (another Rush catalog first!) on five 180-gram audiophile LPs.

The Super Deluxe Edition of Moving Pictures - 40th Anniversary also includes several exclusive items, including a 44-page hardcover book with unreleased photos and new artwork by original album designer Hugh Syme, along with new illustrations for each song; extensive liner notes by Kim Thayil (guitarist, Soundgarden), Les Claypool (bassist/vocalist, Primus), Taylor Hawkins (drummer, Foo Fighters), Bill Kelliher (guitarist, Mastodon), and Neil Sanderson (drummer, Three Days Grace); a Red Barchetta model car mounted on a black perch with an MP40 nameplate; two Neil Peart signature MP40 branded drumsticks; two metal-embossed guitar picks, one each with Geddy Lee and Alex Lifeson’s respective signatures engraved on them; a replica of the Moving Pictures 1981 official tour program; an MP40 logo enamel pin; a 3D lenticular “Moving Pictures in motion” lithograph; an 18x24-inch Toronto 1981 concert poster; a replica concert ticket from the 1981 Maple Leaf Gardens show; a 12x36-inch Rush Through The Years 1973-1981 poster; a YYZ luggage tag; and a All Access World Tour ’81 insert. All contents are housed in a premium lift-top box, which features movingly reimagined cover artwork by Hugh Syme.



RATOS DE PORÃO: SAIBA MAIS SOBRE O ÁLBUM “NECROPOLÍTICA”

 



Ratos de Porão é uma das mais icônicas bandas do Hardcore Nacional. Banda que fez o vocalista João Gordo ganhar notoriedade nacional, os músicos seguem em atividade até hoje e acabaram de lançar seu mais recente álbum. O nome do trabalho é Necropolítica (2022) e já se encontra disponível em todas as plataformas digitais.




O álbum é temático e com um ponto de vista bem definido. Você já conferiu? Se ainda não ouviu, você precisa conferir: o álbum está bem pesado e vai direto ao ponto, tocando nas feridas. A crítica contra o atual governo é bem direta e as letras usam os fatos mais recentes para poder defender seus ideais.

ANTHRAX: SCOTT IAN AFIRMA QUE NOVO ÁLBUM ‘DEVERIA’ SER LANÇADO EM 2023

 

O guitarrista do ANTHRAX , Scott Ian , falou com Kyle Meredith sobre os planos da banda para os próximos meses. Ele disse: “Nós não conseguimos fazer uma turnê [para o nosso 40º aniversário em 2021], então estamos fazendo a turnê do 40º aniversário em nosso 41º ano. [ Risos ] Obviamente, nós não pudemos sair no ano passado e fazê-lo quando queríamos, então temos esta temporada de verão chegando com BLACK LABEL [ SOCIETY ] e HATEBREED . E estamos chamando essa parte de nosso 40º aniversário. Datas do 40º aniversário na Europa depois disso, no outono. E quem sabe? Eu gosto de pensar que essa corrida nos EUA com a BLACK LABEL vai se sair muito bem, e talvez possamos fazer uma segunda rodada dessas datas em algum momento no início do próximo ano. E então eu tenho certeza que ano que vem em algum momento deve haver um novo álbum do ANTHRAX , dependendo de quando entrarmos no estúdio.”

SOUFLY: MAX CAVALERA FALA SOBRE O NOVO SINGLE ‘SUPERSTITION’

 



Com lançamento previsto para 5 de agosto via Nuclear Blast , o sucessor de “Ritual” de 2018 foi gravado no Platinum Underground em Mesa, Arizona por John Aquilino e Arthur Rizk com a assistência de John Powers . Produzido por Max ao lado de Arthur Rizk ( KREATOR , MUNICIPAL WASTE , CODE ORANGE), o LP conta com participações especiais de John Powers ( ETERNAL CHAMPION ), Chris Ulsh ( POWER TRIP ) e John Tardy ( OBITUARY ). Rizk também foi responsável por tocar guitarra no disco. A arte do álbum foi criada por James Bousema .

Sobre os temas líricos abordados em “Totem” , Max disse ao The Bogcast : “A ‘Superstition’ foi inspirada em Superstition Mountains. Acabei lendo muito sobre ela e sobre Lost Dutchman. Muita gente morreu lá. Um lugar realmente misterioso e místico, então eu meio que fiz as letras meio que conectadas a isso, o que foi bem legal. No refrão real, diz, ‘Superstition is hard than stone’. Estou me referindo à própria montanha, que é uma montanha dura, está lá desde sempre e provavelmente estará lá até o fim dos tempos.”

“Todo o álbum é inspirado pela natureza”, continuou ele. “É por isso que é chamado de ‘Totem’ . Eu não sei se vocês viram a capa, mas nós temos este totem com um monte de animais diferentes nele. Supostamente é como nossos animais espirituais um pouco e nossos sinais. Há quase como um leão misturado com um javali e há uma cabra com chifres. E há uma coruja, águia em cima dela. E está na floresta.“


“Então, sim, o disco foi inspirado pela natureza – os espíritos da natureza”, acrescentou Cavalera . “Acho isso fascinante. Adoro isso. Acho que o deserto é muito espiritual e muito misterioso. E também a floresta. Fazemos muitas turnês, então vamos para a Islândia e a Noruega, e todos vemos aquelas belas florestas e outras coisas.“

“Então, muito do álbum foi inspirado, acho que você chamaria de adoração da natureza, quase como um deus. Muitos nativos têm essa crença – que a natureza é como um deus que você adora. Se tornou o ponto de foco para o álbum. Definitivamente, há músicas que lidam com diferentes tópicos. Há uma música muito legal que é contra o câncer. Perdemos tantas pessoas boas [para] o câncer. Eu me lembro de quando estava escrevendo o álbum, LG [ Petrov ] do ENTOMBED faleceu, e Chuck [ Schuldiner ] do DEATH [morreu há 20 anos], e também membros da família que sucumbiram ao câncer. E então eu estava tipo, ‘Eu quero escrever uma música contra o cancer’ — uma carta do tipo ‘foda-se, câncer’, como uma carta para o câncer: ‘foda-se. Você não vai derrubar todos nós. Nós vamos lutar com você. Chama-se ‘Scouring The Vile’ . Essa é uma das músicas mais pesadas do disco. Também há um que é um pouco sobre a sociedade em geral, e se chama ‘Filth Upon Filth’ . É muito, muito influenciado por ‘Reign In Blood’ ; Eu estava ouvindo muito ‘Reign In Blood’ quando escrevi essa música. O ritmo é um tipo de groove matador do SLAYER . Há uma música chamada ‘The Damage Done’. É sobre todo o desmatamento. Eu estava lendo muito sobre a Amazônia, como eles estão apenas estuprando, saqueando e destruindo e isso é como os pulmões do mundo. Cabe a nós, pelo menos, falar sobre alguns desses tópicos, então acho que foi legal tentar.”

De acordo com Max , “Totem” fecha com uma faixa de 10 minutos chamada “Spirit Animal” . “É um pouco como um tipo de música épica“, disse ele. “É realmente inspirado em antigas faixas de heavy metal, como encerramentos de álbuns do BLACK SABBATH que eram realmente longos, como oito [ou] nove minutos de duração, como merda do tipo ‘Heaven And Hell’ . Eu queria escrever algo assim. tem muitas partes – toneladas de riffs. É um festival de riffs. [ Risos ] E é ótimo, porque também tem… Richie do INCITE canta nele, meu [enteado] filho. E nós’ Tenho Chris do POWER TRIP fazendo os solos nela. Ele também está em MAMMOTH GRINDER . Ele é um grande músico. Então ele fez os solos em ‘Spirit Animal’ , e saiu doente.”



O lyric video oficial de “Superstition” , criado por Aimed & Framed ao lado do artista de personagens 3D Álvar Gómez Padilla , pode ser visto abaixo: