METALLICA LANÇA VÍDEO DO METONTOUR DA APRESENTAÇÃO DE “FIXXXER” DO PRIMEIRO SHOW DO 40º ANIVERSÁRIO

Uma edição de vídeo do MetOnTour do Metallica tocando a música “Fixxxer” em 17 de dezembro de 2021 no Chase Center em San Francisco, Califórnia, pode ser vista abaixo. O show foi o primeiro dos dois shows do 40º aniversário da banda que contou com setlists diferentes. Eles fizeram parte do “San Francisco Takeover” do Metallica, uma celebração de quatro dias em toda a cidade do 40º aniversário da banda que também incluiu um festival de cinema, exposição de fotos e programação de shows menores com outros artistas.

Kit Woolven, produtor de Thin Lizzy e Tony Iommi, morre aos 71 anos

 

Kit Woolven, produtor e engenheiro de som britânico, morreu na última quarta-feira, 26, aos 71 anos.



O produtor se tornou conhecido pelos trabalhos com bandas como Thin Lizzy, com a qual trabalhou no álbum Black Rose: A Rock Legend (1979) e diversos singles, David Gilmour no disco About Face (1984), Cradle Of Filth em discos como Dusk And Her Embrace (1996) e Lovecraft & Witch Hearts (2002), além de produções para U.F.O, Cathedral, Tony Iommi e David Bowie, de acordo com os créditos disponíveis no Rate Your Music.

Anitta inova e lança vídeo de 'Boys Don't Cry' junto com a música: "Clipe da carreira

Anitta, de 28 anos, surpreendeu os fãs nesta quinta-feira (27) e lançou ao mesmo tempo a música e o clipe de Boys Don't Cry. A cantora costuma lançar o áudio num dia e o vídeo no dia seguinte, mas fez um acordo com os fãs e cumpriu o prometido de divulgar ambos ao mesmo tempo.

Na música, Anitta derruba o mito de que homens não choram ao abordar como a independência feminina tira muitos homens de suas zonas de conforto. “Vocês garotos não aguentam quando as garotas não necessitam do seu amor”, canta ela em mais um lançamento totalmente em inglês.

Anitta traduz sua narrativa de empoderamento e independência para o universo lúdico no videoclipe da faixa, cujo conceito foi idealizado por ela mesma. O audiovisual faz referência a clássicos pop do cinema, como Titanic, Beetlejuice, Priscilla: Rainha do Deserto, Noiva em Fuga, Harry Potter e Meu Namorado é um Zumbi. Mais uma vez, a garota do Rio assina a direção do audiovisual, em parceria com o filmmaker Christian Breslauer, que já trabalhou com Lil Nas X, Doja Cat e The Weeknd.

O youtuber A-lexx  FeZ um Reaction da musica trazendo  diversos pontos positivo sobre a nova musica da Annita ,muitos roqueiros como pitty criticaram  o lançamento dizendo que ser rock era moda..

confiram o video.. e inscrevam-se no canal ..

MELODIC THRASHERS INCRYPT DELIVER NEW LYRIC VIDEO "THRASHING EXTINCTION"

Formed in Melbourne, Victoria, Australia, melodic thrash metal band Incrypt have signed with Wormholedeath for the release of their new album, Thrashing Extinction, due on February 25th. Ahead of the street date, Incrypt has released a lyric video for the title track.

MESHUGGAH RELEASE NEW SINGLE "THE ABYSMAL EYE"; NEW ALBUM AVAILABLE FOR PRE-ORDER

 

Destined to be one of 2022’s most hailed and talked-about releases, Immutable once again showcases Meshuggah’s collective brilliance, including some of the most jaw-dropping ensemble performances they have ever executed.



The first single, "The Abysmal Eye", is available on all digital platforms now and can be heard below. Immutable is now available for pre-order

Six years on from the band’s most recent full-length, The Violent Sleep Of Reason, 2022 brings a fresh and fearsome revelation from Meshuggah. Shattering even the highest of expectations, the band’s ninth album is simply their wildest and most esoteric sonic adventure yet and will be released on April 1 via Atomic Fire Records. Watch a teaser video below.

Recorded at Sweetspot Studios in Halmstad (Sweden), mixed by Rickard Bengtsson & Staffan Karlsson and mastered by multiple Grammy award winner Vlado Meller (Metallica, Rage Against The Machine, Red Hot Chili Peppers, System Of A Down), Immutable will be available in various CD, vinyl and tape formats and goes into pre-sale on January 28, and the first single will be revealed very soon. The stunning cover artwork was once again created by visionary artist Luminokaya.

For guitarist Mårten Hagström, the task of embarking on another unprecedented tech-metal odyssey was impossible to resist. “The title fits perfectly for where we are as a band,” Mårten concludes. “We’re older now. Most of us are in our fifties now, and we’ve settled into who we are. Even though we’ve been experimenting all along, I also think we’ve been the same since day one. The way we approach things and why we still make new albums, and why we still sound the way we do, it’s immutable. Humanity is immutable, too. We commit the same mistakes over and over. And we are immutable. We do what we do, and we don’t change.”

Meshuggah are still operating on a higher level of metallic consciousness than just about everybody else. This band blow minds for a living, and Immutable is their most explosive work of monstrous art yet.

Meshuggah stand alone. The most inventive and creative metal band of the last 30 years and one of the most widely revered, Meshuggah have been standard bearers for forward-thinking creativity in heavy music throughout their illustrious careers. Over the course of more than 30 years and eight studio albums, Sweden’s widely worshipped progressive mavens have consistently redefined what it means to be heavy, while exhibiting a ferocious intelligence that belies the crushing weight of their riffs. From the ground-breaking savagery of 1995’s Destroy Erase Improve, to the psychedelic tech-splorations of CatchyThirtyThree, and on to the streamlined grotesquery of ObZen and Koloss, Meshuggah have always been way ahead of the game and plainly without peer.

HAUNT – UNPLUGGED VOL. 1

 

With six full-length albums since their inception in 2017 – Fresno’s Haunt has managed to vault to the top in the traditional metal genre combining stellar guitar work that balances speed and melody along with vocals that hold a desperation that’s improved over recordings. The most important aspect of these ingredients are the songs are memorable and a selection of them have been stripped for a laid-back approach on Unplugged Vol. 1 – letting the tracks shine in a vulnerable environment.

Mainman Trevor Church is a romantic at heart. Unplugged Vol. 1 is filled with songs to make love to. It’s easy to get lost in the subject of the songs when the electric storm is raining down, but pulling back there’s much heart in the lyricism and it’s not done in a cheesy or eye-rolling manner. The cuts slice slowly letting the groove and melody flow with adept harmonies putting a shine on the choruses. The guitar work is on point with Church showing his proficiency on the acoustic instrument while also exuding confidence behind the mic.

It’s all non-electric instrumentation with claps being used in to accentuate a groove, tambourines, and soft drum beats. “In Our Dreams” flourishes in this world as the chorus has a beautiful tinge to it and stands as a highlight. For a more technical side of things, “Light The Beacon” shows fleet-fingering guitar work in the beginning stages and solo while the fluid guitar strokes on “Cosmic Kiss” is impressive. “Luminous Eyes” also receives a dress-down with large expressions in the verses and a thumping of the guitar giving it a folksy edge. The one drawback is “On The Stage” falls a bit flat compared to the other numbers.



A wonderful diversion from the electric hellfire that Haunt usually ignites, Unplugged Vol. 1 is a welcome addition to their discography.

SONATA ARCTICA – ACOUSTIC ADVENTURES - VOLUME ONE

 

Sonata Arctica has songs that are perfect for a softer environment and the past couple years saw the Finnish power rockers (I hesitate to call them power metal anymore) go on tour stripping their songs from their electric wisdom and performing them in an acoustic setting. With touring upended by COVID-19, they held a livestream event showcasing the intimacy of these songs as well. Now comes a full-fledged album and judging by the title, a second one will be on the way.

With Acoustic Adventures, the album is indeed an adventure that balances the energetic, reflective, heartbreak, and romanticism that had defined the Finns’ career and the emotional and charismatic vocals from Tony Kakko make it worthwhile. While it’s disappointing no songs from the debut or Winterheart’s Guild (unless you’re counting Japanese bonus track “The Rest Of The Sun Belongs To Me”) make the offering, the tracklisting focuses more on material post-Reckoning Day.

Sonata mostly doesn’t mess with the original treatment of the tracks, however two notable rearrangements are better than their original counterparts – the aforementioned “The Rest Of The Sun Belongs To Me” turns into a softer, soulful song which breathes a wondrous melody and chorus part while “A Little Less Understanding” introduces a banjo for rhythmic purposes and the backup use of the organ makes it a barn door, easy-going rocker, like an off-kilter song that Gotthard would perform.

As for the hits – mammoth “Don’t Say A Word” retains its creepy edge, complete with spoken word part in the middle, taken care of by an insane Kakko, while the ultra-fast “Wolf & Raven” holds its intensity with lightning quick piano skills and another great vocal performance. The ballad “Tallulah”, with its rich melody and chorus was a no-brainer to choose and “Paid In Full” retains its uplifting, yet depressive nature. Could have done without the Toni Braxton like “Tonight I Dance Alone”, but including the odd “As If The World Wasn’t Ending” was a smart decision.



Acoustic Adventures Volume One fits a certain mood when not wanting to be engulfed in the electric madness and is a fine diversion with worthy reinterpretations of songs in their catalogue.