IMMORTAL: DEMONAZ DIZ QUE ‘NÃO HÁ AMARGURA’ ENTRE ELE, ABBATH E HORGH

Harald “Demonaz” Nævdal, membro fundador do Immortal, disse ter resolvido sua disputa legal com Reidar “Horgh” Horghagen sobre o nome Immortal.

Nascida em 1990, a banda foi formada por Demonaz e Olve “Abbath” Eikemo. Em 1996, Horgh foi introduzido ao Immortal. Porém, em 2004, Demonaz e Abbath decidiram se separar. A batalha judicial começou em 2014, quando Abbath ficou contra Demonaz e Horgh alegando que a dupla abandonou a banda depois que tiraram seu equipamento do espaço de ensaio. Os sistemas judiciais noruegueses determinaram o contrário e concederam o nome a Demonaz e Horgh.

Segundo o site VG da Noruega, surgiu um conflito entre os dois membros restantes do Immortal há quatro anos, com Demonaz registrando o nome no Escritório de Patentes da Noruega como sua marca exclusiva em julho de 2019. O registro foi aprovado e, portanto, ele recebeu o direito exclusivo de usar o nome comercialmente. No entanto, Horgh optou por apelar junto à justiça e o assunto foi decidido a seu favor, o que significa que Demonaz não tinha mais o direito exclusivo ao nome.

Questionado pelo Chaoszine sobre a relação com Horgh, Demonaz disse:


“TIVEMOS ALGUMAS DISPUTAS E JÁ HOUVE PROBLEMAS EM 2014 COM ISSO. MAS TUDO ESTÁ RESOLVIDO AGORA. NÃO POSSO DIZER A VOCÊ OS DETALHES PORQUE HÁ UM ACORDO EM VIGOR NOS IMPEDINDO DE DISCUTI-LO PUBLICAMENTE. A MAIORIA DAS BANDAS ESTÁ LANÇANDO DOIS CDS OU LPS E DEPOIS DESAPARECEM. EU TENHO UMA BANDA HÁ MAIS DE 30 ANOS, ENTÃO É IMPOSSÍVEL NÃO PERDER ALGUNS MEMBROS OU TER ACORDOS POR TANTO TEMPO. ACHO QUE TODA BANDA QUE DURA MAIS DE 20 OU 30 ANOS ACONTECERÁ O MESMO… NEM TODO CASAMENTO É UM CASAMENTO FELIZ. JÁ FAZ ALGUM TEMPO DESDE QUE TIVEMOS CONTATO. ENTÃO ISSO É NATURAL, EU ACHO. ELES ESTÃO OCUPADOS COM SUAS COISAS E EU ESTOU OCUPADO COM MINHAS COISAS. NÃO É COMO NOS VELHOS TEMPOS, QUANDO NOS ENCONTRÁVAMOS COM MUITA FREQUÊNCIA. MAS PARA MIM, É COMO SE NÃO HOUVESSE AMARGURA.

Iron Maiden: Bruce Dickinson derruba gongo e atinge Nicko McBrain no palco

O baterista foi atingido por um gongo tocado por Dickinson em “Alexander The Great”


Durante um show do Iron Maiden em Dublin, Nicko McBrain foi atingido por um gongo tocado por Bruce Dickinson.

O vocalista usa um pesado bastão para bater em um gongo durante “Alexander the Great” e o instrumento fica pendurado logo atrás da bateria de Nicko McBrain.

Na performance que aconteceu na Irlanda, Dickinson subiu na plataforma acima da bateria para tocar o gongo e o pesado objeto soltou-se da estrutura onde estava pendurado.

Pelas imagens, o gongo parece atingir McBrain nas costas, mas o impacto não parece ter sido grave o suficiente para interromper a performance do baterista. O susto também arrancou algumas risadas de Bruce Dickinson.

GUNS N' ROSES - FAN-FILMED VIDEO OF ENTIRE THREE HOUR BUCHAREST SHOW STREAMING

Guns N' Roses performed at Arena Națională in Bucharest, Romania om July 16th. Fan-filmed video of the entire three hour show can be viewed below.

The setlist was as follows:



"It's So Easy"
"Bad Obsession"
"Chinese Democracy"
"Slither" (Velvet Revolver)
"Pretty Tied Up"
"Mr. Brownstone"
"Welcome To The Jungle"
"Absurd"
"Hard Skool"
"Live And Let Die (Wings)
"Estranged"
"Shadow Of Your Love"
"Double Talkin' Jive"
"Rocket Queen"
"Down On The Farm (UK Subs)
"You Could Be Mine"
"T.V. Eye" (The Stooges - Duff McKagan on vocals)
"Anything Goes"
"Civil War"
- guitar solo (Slash) -
"Sweet Child O' Mine"
"November Rain"
"Sorry"
"Patience"
"Knockin' On Heaven's Door" (Bob Dylan)
"Nightrain"

ECLIPSE: LANÇADO CLIPE OFICIAL DE NOVO SINGLE “HEARTS COLLIDE

Em setembro próximo, a banda sueca Eclipse lançará seu décimo álbum de estúdio, Megalomanium, via Frontiers Records. Em sua essência, o Eclipse é uma banda de rock pesado com ganchos maciços e com um apelo que transcende os gêneros. Atualmente, o Eclipse é formado por Erik Mårtensson (vocais), Magnus Henriksson (guitarra), Philip Crusner (bateria) e Victor Crusner (baixo). Há poucos dias, a gravadora disponibilizou em seu canal no Youtube, um novo single, em formato de video clipe oficial, a canção “Hearts Collide”.

IMMORTAL – DEMONAZ SOLO ALBUM MARCH OF THE NORSE TO RECEIVE VINYL REISSUE

Nuclear Blast Records will reissue the 2011 solo album March Of The Norse from Demonaz on July 28. Preorder at the Nuclear Blast webshop.



The debut solo album from the Immortal founder is blackened heavy metal recorded in Grieghallen Studios and in Conclave & Earshot Studios. The album features Enslaved guitarist Ice Dale and formal Immortal drummer Armagedda.

BRUJERIA TO RELEASE ESTO ES BRUJERIA ALBUM IN SEPTEMBER; "MOCHADO" VISUALIZER STREAMING

Mexican death grind band, Brujeria, put the world of cartels and ritualistic murder on wax with a brutal power equivalent to when Compton arrived in pop culture via NWA. On September 15, the band will unleash their fifth full-length album, Esto Es Brujeria, onto the world via Nuclear Blast Records.

Today, the band releases the first single from the album, entitled "Mochado". Check out the video visualizer for the first taste of the album below.

Brujeria's Juan Brujo comments, "Para que sientan y sepan el poder Mexicano con raíces antiguas hasta las redes sociales modernas, que se transmite con canciones brutales y rabiosas! ESTO ES Brujeria."

English translation: "Feel and know the Mexican power with ancient roots all the way to the modern world of social media, filled with brutal and rabid songs! ESTO ES Brujeria."

Esto Es Brujeria was recorded worldwide at the following studios: Dog Run Studio in Riverside, CA; Total Annihilation Studios in East Los Angeles, CA; Robanna’s in Birmingham, UK; and Audiocustom in Santiago, Chile. Production of the record was handled by the band while engineering was a joint effort between Eddie Casillas, Eddie Rivas, and Miguel Seco. The mixing and mastering of the album was completed by Seba Puente who was also a part of the engineering team. The album artwork was created by Gary Ronaldson. Esto Es Brujeria saw the return of their metal mascot Coco Loco who is emblazoned on the ferocious cover.

LIVE REVIEW: Born Of Osiris @ Thekla, Bristol

Mondays are difficult, aren’t they? End of the weekend, back to work or education and, in the case of this one on the first full week of July, a change in the weather; the clouds are swirling and growing greyer, with unsettled conditions forecast for the days ahead. Thank goodness, therefore, for this – the final date of a UK leg that has been popping off on every date so far and, although not a sell out, the confines of Bristol’s famous boat venue are packed and full of chatter for BORN OF OSIRIS.

japan’s PALEDUSK are following up the last of these supporting gigs with a handful of UK headline shows, but they’re not taking these performances on with an air that they’re just warm ups – they want to upstage everyone. Coming on to EMINEM‘s forever great Lose Yourself is an interesting and somewhat comical opening, but it pays off as people laugh instead of cringe, before they’re blasted by nu-metalcore juggernaut Area PD. Like a lot of bands from the Land of the Rising Sun, PALEDUSK are technically proficient, especially guitarist Daisuke Ehara who shreds his ace with expert precision. Not everything hits the spot – Slay!!, featuring rapper Hideyoshi, is a mismatch of styles that doesn’t work and latest single I’m Ready To Die For My Friends is equally as directionless, but by this point PALEDUSK have won everyone over and made an army of new friends.

The British flavour on the bill comes in the guise of Birmingham’s OCEANS ATE ALASKA, who receive a hero’s welcome on their entry and the opening double salvo of Metamorph and Paradigm from last year’s Disparity album make for a strong beginning to their 35 minutes of metalcore. However, when Vultures And Sharks from 2015 debut Lost Isles kicks in, that’s when the band go up a gear; it’s followed swiftly by Blood Brothers from the same record and, by now, the room is bouncing, a sea of bodies crashing into one another and giving everything they’ve got – when Shallow Graves drops, the pit reaches it’s most potent and nobody standing within six feet of the edge is safe. Hansha provides a huge singalong and the closing duo of Nova and Escapist bring OCEANS ATE ALASKA back to their present day. Three albums down, they’ve still got a bright future ahead of them

Like their tour counterparts, Illinois’ BORN OF OSIRIS are coming into this show off the back of a rousing set at UK Tech-Fest, which saw them close the final edition of the festival by headlining the main stage. Tonight, the stage might be smaller and the crows less dense, but the progressive metalcore mob aren’t taking their foot off the gas and winding down. Neither are those in front of them – as vocalist Ronnie Canizaro bellows “FUCKING BOW DOWN!” to open an hour of breakdowns and carnage, the pit swells once more, incited by the frontman’s words and not a second thought between them. The bulk of the set comes from either most recent album Angel Or Alien or 2017’s The New Reign, and there’s highlights from both – from the former, White Nile and Threat of Your Presence, the aforementioned Bow Down and a stunning Abstract Art from the latter.]At one point, a crowdsurfer makes his way onto the stage during a rare quieter moment; Ronnie introduces him and then tells everyone to catch him when the song kicks back in. It’s one of those moments that reminds you just how important the metal community is – for all the online gatekeeping and problems that it faces, at the heart of it all is the desire to connect and enjoy, something very much on show here. A final one-two of Open Arms to Damnation and a triumphant Machine bring BORN OF OSIRIS‘ UK leg to a close and, despite the cool night air, the fires inside all those who leave burn brightly