domingo, 5 de maio de 2024

NERVOCHAOS EM CURITIBA


 A Banda mais brutal do planeta   NERVO CHAOS chega em Curitiba para  mais um aapresentação.
Depois de um 2023 incrivelmente poderoso, retomamos as atividades com sangue nos olhos e anunciamos nossa nova turnê, a “Profetas do Caos Tour 2024”.
Dessa vez a trilha de caos e destruição passará por parte da região Sudeste e Sul, entre os meses de Maio e Junho, sempre conjurando ao lado de outros grandes representantes do Metal forjado no fogo infernal do subterrâneo.
Em Curitiba o show será aos 20/06/2024 no 92 Graus. Lembrando que no estado do PR a turnê também passará pelas cidades de Ponta Grossa, Foz do Iguaçu e Maringá. Seguem os cartazes com informações e os ingressos já estão à venda.
Headbangers, o underground é uma construção coletiva. Contamos com a presença de vocês!
Nos vemos no mosh pit!





HEAVEN S GUARDIAN CHEGA A CURITIBA COM A TURNE CHRONOS THE TOUR COM ORQUESTRA


Em julho deste ano 2022, a banda Heaven’s Guardian iniciou o processo de gravação do seu quarto álbum, em Los Angeles, no Fuel Music Studio. A produção é assinada pela dupla de produtores parceiros, Roy Z (Bruce Dickinson, Rob Halford, Helloween) e Addasi Addasi (Nervochaos, Los Lobos, Black Oil).

O álbum intitulado “Chronos” conta a história evolutiva da sociedade humana, desde a antiguidade com a mitologia grega até a contemporaneidade da inteligência artificial, e contará com 11 faixas inéditas, mais uma ‘introdução Hollywoodiana’.

O line-up da banda conta com os vocais de Carlos Zema e Natalia Tsarikova (a cantora russa que encantou o mundo cantando Nightwish), Ericsson Marin na guitarra e cello, Luiz Maurício na guitarra, Everton Marin no piano e teclado, Murilo Ramos no baixo e Francis Cassol na bateria.

Várias são as novidades apresentadas pela banda nesse novo trabalho; a Orquestra e o Coro Sinfônico Jovem de Goiás, já têm presenças garantidas, totalizando mais de 100 músicos participantes no projeto. Os arranjos orquestrais foram todos produzidos pelo pianista Everton Marin, que tem formação erudita nos Estados Unidos. Será o primeiro álbum de estúdio a ser produzido por uma banda de metal e orquestra sinfônica completa, em toda a América Latina, continuando com o pioneiro trabalho do Heaven’s Guardian, que em 2019 lançou o primeiro DVD da América Latina com o mesmo formato sinfônico.


A banda chega a cidade de Curitiba com um dos maiores show de metal Symphonico  já vistos ,uma noite inesquecível para amantes de rock e metal.
Já deixei marcado em sua agenda !!!!!!!


TURNÊ CHRONOS - HEAVEN’S GUARDIAN E ORQUESTRA SINFÔNICA JOVEM DE GOIÁS



25.jun.2024 (terça-feira)
Local: Teatro UP Experience/Curitiba
Mais informações:

https://www.diskingressos.com.br/evento/6479/25-06-2024/pr/curitiba/turne-chronos-heavens-guardian-e-orquestra-sinfonica-jovem-de-goias?utm_source=beplauze




sexta-feira, 3 de maio de 2024

ALBUM REVIEW: What Doesn’t Kill You – Marisa And The Moths







UK grunge rockers MARISA AND THE MOTHS have put out their second album What Doesn’t Kill You. For lead vocalist Marisa Rodriguez, this album is a reflection on a difficult time in her life that saw her finally leaving and overcoming an abusive relationship and the toll it took on her mental health. It’s a representation of finding the strength in the face of adversity, a fact that is clearly stated across each and every powerful song and brutally honest lyric.



Opening the album with Cursed, the first thing the listener hears is piano and violins, soon joined by strong vocals that draw immediate comparison to the likes of EVANESCENCE. Rodriguez, much like Amy Lee, has the skill to make you feel every word and emotion conveyed in the lyrics. There’s a stark contrast in sound when the album moves into Get It Off My Chest, which starts out with a distorted noise before the full band kicks into a grungy hard rock track with elements of nu-metal also brought in. And once the vocals come in, things shift into something more haunting and melodic, with easy comparisons to the likes of WITHIN TEMPTATION, FLYLEAF and LACUNA COIL coming to mind.


Things can go one of two ways with MARISA AND THE MOTHS. Either they sound truly haunting with dramatic piano and vocals, or aggressive with their blend of 90s/00s hard rock and grunge, but it’s the powerful vocals and lyrics that truly set them apart from other artists in the rock scene.

Each song on the album tells its own story and represents its own difficult topic but does so in a way that can resonate with you whether you can directly relate or not. Standout moments include, but are not limited to, Gaslight, a hard rock track that in a few years’ time could become a staple theme song when it comes to talking about emotional abuse, Fake It Till You Make It, that, as the title suggests, has you pumped and ready to face whatever comes you way, and regardless of what happens you now have that confidence to push through, and Serotonin, a raw and honest song that beautifully conveys the thoughts and feelings surrounding mental health.

What Doesn’t Kill You is a powerful album that will give anyone struggling the push and confidence they need to keep going. MARISA AND THE MOTHS are one of those rare bands that can make you feel what they feel and are likely to become an important name in the scene within the next few years.

Rating: 8/10



What Doesn’t Kill You is out now via Tonesick Records Limited.

Like MARISA AND THE MOTHS on Facebook.

Dwarrowdelf: A Minor Key To Unlock Happiness






DWARROWDELF mastermind and multi-instrumentalist, Tom O’Dell looks to draw inspiration from the fantasy world of Tolkien (project name aside) but also blend real world weight and emotion into a powerful delivery. Latest release, The Fallen Leaves, has done just that and a whole lot more besides. Since the initial EP release Of Darkened Halls in 2017, Tom has evolved his writing and honed the compositions, each release providing a further step up from its predecessor. The Fallen Leaves feels like a culmination of a musical journey. While earlier works played with more of the fantasy elements, Tom was keen to push the more real-life influences into these new tracks.



Reflecting on the writing process. Tom offers that he was “quite nervous about this one. It’s a very personal album, different to what I’ve put out before.” Not that he has reason to be nervous. Reception for the fourth album has been widely excellent from both critical and fan points of view. Tom highlights the key difference between The Fallen Leaves and previous albums. “The first three albums were made within a year and a half. It was very much I’m making Lord Of The Rings albums, here we go. Then the world changed. DWARROWDELF took a bit of a back seat. When I picked it up again, things were very different. The lyrical front had been explicit Tolkien and I wanted to explore more themes and music. It still felt DWARROWDELF, I didn’t want to make a new project.”

This is very evident, in the tracks of the album. “To Dust We All Return was the first one I wrote and I was experiencing some heartbreak in life and the raw emotion spilled into the music. Deliverance was started around that time as well and their emotion was also in there too. Then Elden Ring came along and the atmosphere was a good way to use a metaphor for my sadness and journey of those few months through a fantasy filter. It was not too much of a departure for DWARROWDELF.”

With the lyrical content exposing a heavy weight subject matter. The musical compositions on the album can often juxtapose the raw, bleakness with at times uplifting melodies. This is very evident in the final passages of Deliverance. Tom readily picks up on this idea, with a grin explaining, “the final choir there uses the cheesy four chord progression of power metal that I’m contractually obliged to use.” Going on to say, “I didn’t want to just write seven tracks of I’m very upset. I wanted to come out the other side and find acceptance.”


It is also this compositional style that has helped with the well-rounded reception of this album. The happier melodies do tend to stick in a listener’s mind more and as Tom opines “…create that memorable hook, that the listener will find themselves humming. Having written power metal as well, it’s quite an easy space for me to adopt.”

What is always interesting with a long-standing solo project is how the project grows as a reflection of the musician behind it. Tom is no different, he freely admits, “DWARROWDELF is me. It’s the albums I wanted to make at that particular time. I’ve grown up as a person as well, each album has got more and more unique. The first one in hindsight might be my attempt at a SUMMONING album but Evenstar is mine and The Fallen Leaves takes that a step further.” While it is possible to identify specific genre/artist influences in his work, DWARROWDELF doesn’t fit into a neat category per se and that helps keep Tom’s musical identity secure.

One of the pitfalls that can face a solo artist is the solitude of creativity. With a band, there are sounding boards of influence and other instrumentalists to add dynamics and textures that may otherwise have been missed. Tom’s approach to navigating this though is having a close group of people to bounce ideas off of and send out drafts for review. “Being my own critic is the biggest issue, but sending files to four or five of my trusted confidants who wouldn’t shy away from criticism really helps. I couldn’t be a solo artist who didn’t take feedback, there’d be too much tunnel vision.”

“This album more than any other would work live, the early material wouldn’t translate too well.” This is thought process when posed with the idea of taking DWARROWDELF on the road. It does have the hooks and riffs for an audience to pick up on and while there are artists out there who do take these types of projects to audiences. While there are logistical issues to be considered amongst many other things, Tom is not totally against the idea. “It’s more likely than it has been in the past.”

Whatever the future may hold for the project, Tom has certainly been able to produce a highly engaging body of work. An approachable artist with multi-faceted influences who is able to draw together fantasy and cold reality and weave a relatable narrative. Tom sums much of it up, “the man who wrote The Fallen Leaves is a lot happier now than what is reflected in those songs.” With a laugh he continues, “it does get better. You may feel crap and things may be going badly wrong but it does get better, you will get through it.”

The Fallen Leaves is out now via Northern Silence Productions.

Like DWARROWDELF on Facebook.

quarta-feira, 1 de maio de 2024

LIVE REVIEW: Microwave & The Dirty Nil @ Scala, London







On the final night of their co-headline tour, both MICROWAVE and THE DIRTY NIL give it their all as they play to dedicated fans at Scala in London. In order to fit in both headliners and SICK JOY as a support act, each band only play for under an hour. But don’t be fooled; they still make the most of their short set times. Tonight feels like a celebration and there is a lot to celebrate. MICROWAVE are about to release their fourth album Let’s Start Degeneracy and THE DIRTY NIL are back in the UK for the first time in almost five years. This is the ultimate rock party.

Sick Joy live @ Scala, London. Photo Credit: Anne Pfalzgraf

Brighton-based punk duo SICK JOY arrive on stage with a lot of energy. Kicking off with their 2017 single Smiling Shame before descending into the punky Don’t Feel Like Dying from their 2022 debut album We’re All Going to F***ing Die, the duo make the most of their half an hour set. Although they only play seven songs, there is also plenty of crowd interaction. After introducing themselves and playing 2023 stand-alone single Hypodermic Sunshine, lead singer and guitarist Mykl Barton tells the audience that it is great to be back in London before the band launch into the joyful rock of unreleased song Cinnamon. The audience are bouncing along to every song that the band play, although there are some people who are preserving their energy by standing still. As the closing notes of Painkiller echo around the room, and the audience slow down to catch their breath, it looks like it won’t be long until SICK JOY are back to play Scala again.

Rating: 8/10The Dirty Nil live @ Scala, London. Photo Credit: Anne Pfalzgraf

Even though Canadian rockers THE DIRY NIL only play for fifty minutes, their fourteen song set still makes a brilliant impression upon the audience, who never seem to run out of energy, although there are some people watching from the comfortable sofas at the venue’s Glass Bar, which overlooks the stage, either to save energy or to get out of the hustle and bustle of the crowd. Opening with Please, Please Me from their 2018 album Master Volume, the majority of the band’s set are from Master Volume and their most recent album, 2023’s From Reign To Pleasures. However, they also play Blunt Force Concussion, Doom Boy, and Hang Yer Moon from their 2021 album Fuck Art.

Despite the small stage, the band are full of energy that is evident in their performance. It is clear from they are happy to be back in London and are making up for lost time. However, because it is such a short set, the band do not have much time to interact with the audience, although they manage to say some short sentences about how happy they are to tour in the UK again. But the best part comes before their song Dead Jobs. Frontman Luke Bentham talks about dead-end jobs that cause people to drift by in life before he asks a member of the audience what his job is, although it has to be repeated due to how loud the crowd are.The Dirty Nil live @ Scala, London. Photo Credit: Anne Pfalzgraf

THE DIRTY NIL makes sure that they make up for lost time by playing a mixture of older and newer songs. There is something for everyone on this setlist, whether you became a fan of them recently or have been there since the very beginning. It’s nice to see some older songs make an appearance, although it’s also understandable where there is a slightly more heavy focus on the newer songs, and the audience certainly enjoy them. Friends hug each other, strangers laugh and dance, and the room is brimming with so much energy. The small venue helps this as everything is a lot more intimate and closed in. The stage is low, so there is no barrier between the audience and the band, further cementing the closeness between them.

It is a bit of a shame that THE DIRTY NIL do not have a full headline show because the fifty minutes rush by in a blur. It seems like the band reach the peak of their performance before it is all over. If they had had a longer time, then it could have worked really well as an energetic show that would have got everyone in the audience fired up. However, what we do get are a band who are appreciative to be back in a country where everyone is a fan. Whilst it isn’t perfect due to the short timing, THE DIRTY NIL prove why they deserve to be headlining venues like Scala. But after tonight’s performance, it is clear that the venues can only increase in size from here.

Rating: 9/10Microwave live @ Scala, London. Photo Credit: Anne Pfalzgraf

MICROWAVE finally arrive as the last band of the night. Starting off with new song Ferrari, the band are smart enough to allow their slower indie rock to take centre stage. Phone lights are a constant during their fifty-minute set. But the band do not always lean into the indie rock music, as there are times when they play the faster-paced rock of songs that have already been released from their upcoming album. However, sometimes they do lean heavily on the indie rock sound. Whilst this does work to a certain extent to give the audience time to relax because of the two previous high-energy sets, sometimes the energy threatens to fall flat. However, the band never drop the ball completely as they play some high energy songs as well. Lead singer and guitarist Nathan Hardy, bassist Tyler Hill and drummer Timothy Pittard are all in top form and work smoothly as a band, especially when they play extended solos, making their show one to remember.

But their set also suffers the same problem that THE DIRTY NIL did, as it’s only fifty minutes. Even with the slower songs, the band do not get enough time to truly show off their extensive list of songs. But they make do with the time that they have, and show off their skills at playing their instruments, as many of the songs have extended solos that get the audience hyped. Whilst the previous sets suffered somewhat by the wavering energy, during MICROWAVE, the crowd is one moving organism. At several points, it is hard to tell what is happening to the crowd as they can’t stop dancing and having the time of their lives.Microwave live @ Scala, London. Photo Credit: Anne Pfalzgraf

By playing a mixture of older and newer songs, the band embrace their past whilst briefly looking towards the future. The majority of the setlist comprises of songs from their 2016 sophomore album, Much Love. Whilst other bands would’ve taken the opportunity to play more songs from their upcoming album, MICROWAVE don’t. Their fourth album, Let’s Start Degeneracy, is due out in a matter of days, so the band are smart enough to keep their cards close to their chest and only play the songs that have been released. By keeping the focus on the older songs, the band focus on their previous albums and sound, although the songs that they choose to play from Let’s Start Degeneracy fit in perfectly.

The encore consists of fan-favourites Lighterless from their 2016 album Much Love and But Not Often from their 2015 split EP with HEAD NORTH. These two deep cuts from the band’s discography are worth the wait as the first song is fast-paced rock song and the final song is an up-tempo indie-rock song. It is a fast-paced ending that is in contrast to the slow-paced start, but it shows what a journey that this show has been.

As the closing notes ring out as the band leave the stage and the fans file out of the venue, tonight has been a unique experience as MICROWAVE have shown off their greatest hits and deep cuts from their ever-growing discography in just under an hour. Tonight might’ve been short, but it was also extremely sweet. MICROWAVE know how to put on a show, regardless of how long it is.

Rating: 10/10

Check out our photo gallery of the night’s action in London from Anne Pfalzgraf here:



























































Like MICROWAVE and THE DIRTY NIL on Facebook.