Perhaps no act was facing more pressure this year than Delain. Climbing the ranks of symphonic metal acts throughout the past decade, a sudden change occurred with the whole band departing, leaving founder Martijn Westerholt as the last man standing. Slowly the pieces came back into place with former members Sander Zoer (drums) and guitarist Ronald Landa (guitarist) being welcomed back into the fold and newcomers Ludovico Cioffi enlisted for bass duties and finally and perhaps the most important component, Diana Leah at singer.
It’s important to get the new material right with a revamped lineup and a questioning audience, and Delain manages to stay afloat with Dark Waters. It’s safe, poppy, symphonic metal that lives and dies by the chorus.
Westerholt has no problem letting Leah show off her vocal prowess as her voice is front and center along with his icy keys. Her voice is pleasant with bright tone and her melodies will make or break the compositions. Landa’s guitars keeps the rhythm and drops solid solos without becoming flashy. Cioffi’s bass and Zoer’s drumming is workmanlike while Zoer s
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